Exhibitions

The first spring exhibition of the Jókai Society's fine-arts section (JESZO) in Komárom, 1924, was among Gyorgy Rauscher's earliest exhibition appearances.

At the 1926 Tavaszi Szalon (Spring Salon) at the Nemzeti Szalon in Budapest, the Hungarian press first took serious notice of Gyorgy Rauscher.

In September 1927 Gyorgy Rauscher showed sixteen works in a six-artist group exhibition at the Ernst Múzeum in Budapest. It was a group show, not the solo retrospective sometimes claimed.

Gyorgy Rauscher's only solo exhibition was held in March 1928 at the Deutsches Künstlerhaus in Brünn (Brno), where almost every work sold. It was the threshold to his Berlin years.

At the January 1929 KUT exhibition in Budapest, Gyorgy Rauscher showed Zenebohóc (Musical Clown), one of his last public appearances before his death the following year.

The 1935 Nemzeti Szalon estate exhibition (Hagyatéki kiállítás) gathered 118 works by Gyorgy Rauscher, 26 October to 10 November 1935. Its catalogue is the canonical record of his oeuvre, reproduced here in full.

On 21 December 2012, Dorog held a 110th-birth-anniversary memorial exhibition for Gyorgy Rauscher, opened by Számadó Emese and attended by the painter's nephew Uri Rauscher.

In 2015 the Esztergomi Duna Múzeum showed a group of Gyorgy Rauscher paintings rediscovered in a Bratislava cellar, among them Halotti tor and Szerelmespár, known until then only from the 1935 catalogue.

The 2018 exhibition Csábítás fegyvere at the Kieselbach Galéria, with a catalogue by Molnos Péter, placed Gyorgy Rauscher within a century of Hungarian painting of fashion and style.

The Klapka György Múzeum's programme around the ninetieth anniversary of Gyorgy Rauscher's death produced Számadó Emese's 2019 monograph and a memorial exhibition opened on the anniversary in 2020.

The 2024 exhibition Töredékek at the Komárom Menház marked the eightieth anniversary of the deportation of the Komárom Jewish community, showing Gyorgy Rauscher among local Jewish artists.